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Duke Ellington brought a level of style and sophistication to Jazz that it hadn't seen before. Although he was a gifted piano player, his orchestra was his principal instrument. Like Jelly Roll Morton before him, he considered himself to be a composer and arranger, rather than just a musician. Duke began playing music professionally in Washington, D.C. in 1917.
His piano technique was influenced by stride piano players like James P. Johnson, and Willie "The Lion" Smith. He first visited New York in 1922 playing with Wilbur Sweatman, but the trip was unsuccessful. He returned to New York again in 1923, but this time with a group of friends from Washington D.C. They worked for a while with banjoist Elmer Snowden until there was a disagreement over missing money.
Ellington then became became the leader. This group was called The Washingtonians. This band worked at The Hollywood Club Club in Manhattan (which was later dubbed the Kentucky Club). During this time Sidney Bechet played briefly with the band (unfortunately he never recording with them), but more significantly the trumpet player Bubber Miley joined the band, bringing with him his unique plunger mute style of playing. This sound came to be called the "Jungle Sound", and it was largely responsible for Ellington's early success.
The song "East St. Louis Toodle-Oo" is a good example of this style of playing. The group recorded their first record in 1924 ("Choo Choo" and "Rainy Nights"). The band hit the big time in 1927. They re-recorded versions of "East St.Louis Toodle-Oo," debuted "Black and Tan Fantasy" and "Creole Love Call", songs that would be associated with him the rest of his career. But the thing that really put Ellington's band over the top was becoming the house band at the Cotton Club after King Oliver unwisely turned down the job. Radio broadcasts from the club made Ellington famous across America and also gave him the financial security to assemble a top notch band that he could write music specifically for. Musicians tended to stay with the band for long periods of time.
He played in a trio with Charles Mingus and Max Roach, sat in with both the Louis Armstrong All-Stars and the John Coltrane Quartet, and he had a double big-band date with Count Basie. In the 1970s many of Ellington's long time band members had died, but the band continued to attract outstanding musicians even after death from cancer in 1974, when his son Mercer Ellington took over the reigns of the band.